Made available in DSpace on 2015-04-14T14:41:48Z (GMT). No. of bitstreams: 1
447785.pdf: 5773225 bytes, checksum: ac935215056dd8d4ec9b45fb8bbc01e4 (MD5)
Previous issue date: 2013-03-15 / This research aimed to identify and evaluate the presence of transnational framings in the coverage of the ten years of September 11, 2001 from both the Brazilian television channel Globo News and the American network CNN International. In the qualitative content analysis, regarding the framing theoretical stipulations, some quantitative technics were also used in order to identify prevailing terms and images in the audiovisual narratives. From the entire material recorded, a determined period of time was established for examination. The chosen passages were scripted with detailed audio and video features. Then, the most meaningful elements were highlighted according to repetition and potential for cultural resonance. The obtained data revealed the production of very similar frames of significance in both broadcasts. Such a discovery confirmed the initial hypothesis to which the global conjuncture in journalistic television producing can lead to transnational frame-building. In other words, it indicates a common representation of an internationally scaled event by two channels from different national backgrounds. The narratives analyzed in this dissertation refer to complex contemporary matters, such as the vanishing frontiers when it comes to local cultural identities and imaginaries. Furthermore, the homogenization of ideas broadcasted by journalism companies, opposed to debate and critical thinking, may represent a threat to democratic values. / Esta pesquisa teve como objetivo identificar e avaliar a presen?a de enquadramentos jornal?sticos transnacionais nas coberturas dos dez anos do 11 de setembro de 2001 da emissora brasileira Globo News e da norte-americana CNN International. Na an?lise qualitativa do conte?do, a partir dos preceitos te?ricos do framing, tamb?m foram utilizadas t?cnicas quantitativas para a identifica??o de termos e imagens predominantes nas narrativas audiovisuais. A partir da grava??o de todo o material, foi estabelecido um recorte temporal das transmiss?es para o estudo. As passagens escolhidas foram decupadas nas categorias de ?udio e v?deo. Em seguida, os elementos mais significativos foram ressaltados de acordo com sua repeti??o e potencial de resson?ncia cultural. Os dados obtidos revelaram a produ??o de quadros de sentidos muito semelhantes em ambas as transmiss?es. Tal descoberta confirmou a hip?tese inicial de que a conjuntura global da produ??o do jornalismo de televis?o pode levar ? constitui??o de enquadramentos transnacionais, ou seja, da representa??o comum de um evento de escala internacional por duas emissoras vinculadas a nacionalidades diferentes. As narrativas analisadas nesta disserta??o remetem a quest?es complexas da contemporaneidade, como a dissolu??o de fronteiras dos imagin?rios e das identidades culturais locais. Al?m disso, a homogeneiza??o das ideias transmitidas pelos ve?culos jornal?sticos, em detrimento do debate e do posicionamento cr?tico, pode apresentar uma amea?a aos valores da democracia.
| Identifer | oai:union.ndltd.org:IBICT/oai:tede2.pucrs.br:tede/4538 |
| Date | 15 March 2013 |
| Creators | Pasa, Poliana Dorneles |
| Contributors | Costa, Cristiane Finger |
| Publisher | Pontif?cia Universidade Cat?lica do Rio Grande do Sul, Programa de P?s-Gradua??o em Comunica??o Social, PUCRS, BR, Faculdade de Comunica??o Social |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Biblioteca Digital de Teses e Dissertações da PUC_RS, instname:Pontifícia Universidade Católica do Rio Grande do Sul, instacron:PUC_RS |
| Rights | info:eu-repo/semantics/openAccess |
| Relation | -1227240851921518482, 500, 600, 7651647212179642901 |
Page generated in 0.0023 seconds