Made available in DSpace on 2015-04-14T14:41:48Z (GMT). No. of bitstreams: 1 447785.pdf: 5773225 bytes, checksum: ac935215056dd8d4ec9b45fb8bbc01e4 (MD5) Previous issue date: 2013-03-15 / This research aimed to identify and evaluate the presence of transnational framings in the coverage of the ten years of September 11, 2001 from both the Brazilian television channel Globo News and the American network CNN International. In the qualitative content analysis, regarding the framing theoretical stipulations, some quantitative technics were also used in order to identify prevailing terms and images in the audiovisual narratives. From the entire material recorded, a determined period of time was established for examination. The chosen passages were scripted with detailed audio and video features. Then, the most meaningful elements were highlighted according to repetition and potential for cultural resonance. The obtained data revealed the production of very similar frames of significance in both broadcasts. Such a discovery confirmed the initial hypothesis to which the global conjuncture in journalistic television producing can lead to transnational frame-building. In other words, it indicates a common representation of an internationally scaled event by two channels from different national backgrounds. The narratives analyzed in this dissertation refer to complex contemporary matters, such as the vanishing frontiers when it comes to local cultural identities and imaginaries. Furthermore, the homogenization of ideas broadcasted by journalism companies, opposed to debate and critical thinking, may represent a threat to democratic values. / Esta pesquisa teve como objetivo identificar e avaliar a presen?a de enquadramentos jornal?sticos transnacionais nas coberturas dos dez anos do 11 de setembro de 2001 da emissora brasileira Globo News e da norte-americana CNN International. Na an?lise qualitativa do conte?do, a partir dos preceitos te?ricos do framing, tamb?m foram utilizadas t?cnicas quantitativas para a identifica??o de termos e imagens predominantes nas narrativas audiovisuais. A partir da grava??o de todo o material, foi estabelecido um recorte temporal das transmiss?es para o estudo. As passagens escolhidas foram decupadas nas categorias de ?udio e v?deo. Em seguida, os elementos mais significativos foram ressaltados de acordo com sua repeti??o e potencial de resson?ncia cultural. Os dados obtidos revelaram a produ??o de quadros de sentidos muito semelhantes em ambas as transmiss?es. Tal descoberta confirmou a hip?tese inicial de que a conjuntura global da produ??o do jornalismo de televis?o pode levar ? constitui??o de enquadramentos transnacionais, ou seja, da representa??o comum de um evento de escala internacional por duas emissoras vinculadas a nacionalidades diferentes. As narrativas analisadas nesta disserta??o remetem a quest?es complexas da contemporaneidade, como a dissolu??o de fronteiras dos imagin?rios e das identidades culturais locais. Al?m disso, a homogeneiza??o das ideias transmitidas pelos ve?culos jornal?sticos, em detrimento do debate e do posicionamento cr?tico, pode apresentar uma amea?a aos valores da democracia.

Made available in DSpace on 2015-04-14T14:41:53Z (GMT). No. of bitstreams: 1 453962.pdf: 2182449 bytes, checksum: 19d50d76bef249ca7d503f93e346d4d2 (MD5) Previous issue date: 2014-01-15 / This dissertation has as its theme the second screen experience, i.e. the audience s habit of watching television connected to the internet in a navigation oriented by the TV content. The overall objective is to analyze whether the practice of second screen reinforces the value of the schedule, the TV stream, the live programming, and especially the social bond among viewers. Twitter s trend topics during television prime time were adopted as the research object and integrate the corpus of this study. The material was explored based on the content analysis systematized by Bardin (1977). The theoretical framework has concepts of Wolton (1996), Fechine (2008), Cannito (2010), Jenkins (2008), Castells (2009), Bola?o (2007), Recuero (2009) and Prouxl and Shepatin (2012), among others. It was concluded that second screen offers the audience a more complex experience, intensifies the social bond which becomes no longer invisible and silent and reinforces the value of the broadcast programming. / Esta disserta??o tem como tema a experi?ncia da segunda tela, ou seja, o h?bito da audi?ncia de assistir televis?o conectada ? internet numa navega??o orientada pelo conte?do da TV. O objetivo geral ? analisar se a pr?tica da segunda tela refor?a o valor da grade, do fluxo televisivo, da programa??o ao vivo e, principalmente, do la?o social entre os telespectadores. Adotados como objeto de pesquisa, os assuntos mais comentados do Twitter durante o hor?rio nobre da televis?o integram o corpus deste estudo. O material foi explorado a partir da an?lise de conte?do sistematizada por Bardin (1977). Na fundamenta??o te?rica deste trabalho, foram utilizados, entre outros, os conceitos de Wolton (1996), Fechine (2008), Cannito (2010), Jenkins (2008), Castells (2009), Bola?o (2007), Recuero (2009) e Proulx e Shepatin (2012). Conclui-se que a segunda tela oferece uma experi?ncia mais complexa ? audi?ncia, intensifica o la?o social que deixa de ser invis?vel e silencioso e refor?a o valor da grade de programa??o.

Made available in DSpace on 2015-04-14T14:42:08Z (GMT). No. of bitstreams: 1 462952.pdf: 1395616 bytes, checksum: 7020bd8e142735035d58a4fd30ad28c7 (MD5) Previous issue date: 2014-11-14 / This research aims to comprehend the role of television in sociability between customers, employees and owners of small business in Pelotas, in the state of Rio Grande do Sul (Brazil). This empirical qualitative research was conducted in two popular food business establishments, a restaurant and a bar, all located in downtown. The first concern was to watch and describe the use of television in each of the chosen places and the sociability that occurs in all of them. Later, for interpretation purposes, the concern was defined in the meanings assigned to the sociability. Finally, the research sought to map the moments when the television participated in the place s sociability considering the theoretical perspective adopted, particularly the mediation model by Jes?s Mart?n-Barbero, the idea of habitus by Pierre Bourdieu and the application of this category to the context of peripheral modernity by Jess? Souza. Within the theoretical and methodological framework, the research was conducted with the combination of two techniques:! observation/participation of the researcher, as a customer, and interviews with informers from the three social roles considered for this research; the owners, the employees and the customers. As a final consideration, it was possible to notice the preponderance of television for small business as decisive , considering its potency in the dynamics of sociability. It was also possible to notice the idea that the sociability related to the television needs to consider the crossing of social class dispositions that operate directly on the comprehension of limits for this social form, taking as a starting point its definition in Georg Simmel. / A presente pesquisa visa compreender a participa??o da televis?o na sociabilidade entre frequentadores, funcion?rios e propriet?rios de pequenos estabelecimentos comerciais de Pelotas/RS. A investiga??o, de car?ter qualitativo e emp?rico, foi realizada em dois com?rcios populares da ?rea de alimenta??o, um restaurante e um bar situados na zona central da cidade. Dentre os interesses, definimos, em um primeiro momento, a observa??o e a descri??o do uso da televis?o a partir dos lugares e da sociabilidade que ocorre nos estabelecimentos. Com rela??o ? interpreta??o, posteriormente, o interesse foi dirigido aos sentidos atribu?dos ? sociabilidade. Finalmente, a investiga??o procurou mapear os momentos onde a televis?o participou da sociabilidade dentro da perspectiva te?rica adotada, de forma particular o modelo das media??es de Jes?s Mart?n-Barbero, a no??o de habitus a partir de Pierre Bourdieu e a aplica??o desta categoria ao contexto da modernidade perif?rica por meio de Jess? Souza. Dentro do enquadramento te?rico-metodol?gico, a pesquisa foi realizada com a combina??o de duas t?cnicas: a observa??o/participa??o do pesquisador, como frequentador, nos lugares estudados e a realiza??o de entrevistas com informantes enquadrados nos tr?s pap?is sociais definidos; propriet?rios, funcion?rios e frequentadores. Como apontamento final, foi poss?vel perceber a preponder?ncia da televis?o para os pequenos com?rcios como decisiva a partir de sua pot?ncia na din?mica das sociabilidades. Tamb?m, a interpreta??o de que a sociabilidade em rela??o com a televis?o necessita considerar o atravessamento das disposi??es da classe social que operam diretamente sobre a compreens?o de limites para esta forma social, tendo como ponto de partida sua defini??o em Georg Simmel.