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But neither wood nor fire find any peace or satisfaction In any warmth, great or small, or in any resemblance between them, until the moment when the fire becomes one with the wood and imparts its own nature to it. Or: how two fragments meet and a film is made

This text looks at the political and cultural possibilities of détournement through the work of Guy Debord and my re-making of his film The Society of the Spectacle.

Identiferoai:union.ndltd.org:uiowa.edu/oai:ir.uiowa.edu:etd-4757
Date01 May 2013
CreatorsSchultz, Heath
ContributorsKanouse, Sarah E.
PublisherUniversity of Iowa
Source SetsUniversity of Iowa
LanguageEnglish
Detected LanguageEnglish
Typethesis
Formatapplication/pdf
SourceTheses and Dissertations
RightsCopyright 2013 Heath Schultz

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