It became very obvious, during my research, that alchemy was much more than just aspects of practical metallurgy and much more relevant in terms of symbolic and psychic investigations into the significance of the unconscious mind, the individual and the journey to discover the 'centre.' I use the concept of alchemy as a means to explore the unknown mystery of existence, being and the inner self. 'One Square Inch Between the Eyes' is a phrase used by Taosists to describe that area of the body that contains the highest form of energy and is the centre of spiritual development and transformations. Important aspects of true alchemy appear through Taosist manifestations and is expressed by the unity of nature and humankind. It is seen as a principle of universal understanding and a means to get behind or within appearances. This thesis begins to inquire into aspects of how alchemical notions have developed, both on a practical and symbolic level and how both have impacted on our lives. In the research process, several definitions of alchemy have been identified together with how these definitions have been adopted culturally. I begin to look at areas of art and creativity, science and chemistry, medicine and illness and how people see these aspects of cultural necessities through alchemical concepts and notions. / Master of Arts (Hons) (Visual Arts)
| Identifer | oai:union.ndltd.org:ADTP/235889 |
| Date | January 1995 |
| Creators | Downes, Christopher John P., University of Western Sydney, Nepean, Faculty of Performance, Fine Arts and Design |
| Source Sets | Australiasian Digital Theses Program |
| Language | English |
| Detected Language | English |
| Source | THESIS_FPFAD_XXX_Downes_C.xml |
Page generated in 0.0018 seconds