The purpose of this thesis is to track Virginia Woolf's enactment of conscious experience over the course of her 3 most consciousness forward novels, To the Lighthouse (1927), The Waves (1931), and Mrs. Dalloway (1925). This thesis aims to examine Woolf's ideas and theories about individual consciousness, collective consciousness, and how gendered consciousness plays a role in both. Set against the consciousness philosophy of Woolf's time, this thesis sets Woolf's ideas apart from the abstractions of philosophy and attempts to trace Woolf's enactment of consciousness throughout three of her most famous novels. In researching this project, I studied the consciousness scholarship that was circulating within scholarly circles during Virginia Woolf's time. I also read about what Virginia Woolf herself had to say about philosophy and its usefulness. Finally, I researched what scholars of Virginia Woolf had to say about her work and the philosophy of consciousness. By using all these avenues for my research, I was able to paint a portrait of Virginia Woolf's involvement with philosophy, her ideas about conscious experience, and how those ideas took shape in her novels. In her novels, Virginia Woolf transcends academic philosophy by creating a way to understand and visualize the phenomenology of consciousness that is unique and entirely her own. In the first chapter of this thesis, I explore Woolf's depiction of gendered consciousness in her novel To the Lighthouse. In this chapter, I argue that Woolf suggests a difference between the way men and women experience the world. She explores the implications of those experiences for the collective consciousness, and the delicate line that balances gendered individual consciousness with the collective experience. In the second chapter, I look at Woolf's theory of group consciousness in The Waves, which explores what it means to be part of a collective experience while also balancing being an individual with one's own inner experience. In this chapter, I argue that Woolf formulates a coming-of-age narrative to enact the development of both the individual and collective consciousnesses. She also splits the coming-of-age narratives into two different groups, based on gender. I argue that Woolf does this to highlight the different ways in which men and women experience, how that experience develops from adolescence to adulthood, and the balance that must be maintained to reach Woolf's idea of enlightenment. Finally, in the last chapter, I discuss Woolf's ideas about inner and outer experience in Mrs. Dalloway, including the novel's implicit assertion that there must be stability, or balance, in both inner and outer conscious experience if one is to function within the collective consciousness of society. I argue that Woolf shows this balance, or lack thereof, in the parallel narratives of Clarissa and Septimus. In doing this she once again asserts that there is a gendered difference in the way men and women experience and shows how the balance of inner and outer experience functions between both men and women. By analyzing these three texts, I hope to show both Woolf's understanding of conscious experience and the ways in which she enacts this understanding in her three most consciousness-forward novels. / Master of Arts / What is consciousness? What does it mean to have an experience? For years scholars have attempted to answer these questions. Consciousness, as an area of study, raises a few questions. These questions include: What does it mean to have an experience? What is it like, both cognitively and physically, to perceive what's happening around you, and why does it matter in the first place? In the early 20th century, consciousness, and the study of it were at the center of scholarly attention. Influential philosophers such as William James and G.E Moore were just beginning to formulate their theories about conscious experience and to bring them into public view. In this thesis I argue that Virginia Woolf provided her own answer to these questions about consciousness during her career. By reading Woolf against consciousness scholarship, I aim to discuss the ways in which Woolf creates a new idea or philosophy of consciousness, one that considers gender, society, and the individual, and depicts how all these things coalesce into what we understand as "experience." Woolf's thoughts and philosophies were no doubt influenced by those who came before her, but she also created a concept or way of enacting consciousness in her novels that was uniquely her own. In the first chapter of this thesis, I explore gendered and collective consciousness in To the Lighthouse (1927) and the balance that must be maintained within both. In the second chapter, I explore collective or group consciousness in The Waves (1931) and explore how Woolf enacts a coming of age of both collective conscious identity and individual conscious identity, Finally, in the last chapter, I explore Woolf's ideas about inner and outer conscious experience in Mrs. Dalloway (1925), and how one must balance these experiences if they are to function in the collective consciousness of society.
| Identifer | oai:union.ndltd.org:VTETD/oai:vtechworks.lib.vt.edu:10919/104890 |
| Date | 01 September 2021 |
| Creators | Lewis, Asiah Nyree |
| Contributors | English, Reed, Ashley, Gardner, Thomas M., Ng, Su Fang |
| Publisher | Virginia Tech |
| Source Sets | Virginia Tech Theses and Dissertation |
| Detected Language | English |
| Type | Thesis |
| Format | ETD, application/pdf |
| Rights | In Copyright, http://rightsstatements.org/vocab/InC/1.0/ |
Page generated in 0.0025 seconds