Edward Albee's late-career plays contain realistic characters who struggle to create identities for themselves in an America still clinging to misbegotten cultural ideals of the 1950s (e.g. power, money, the "perfect" family). This thesis seeks to give these relatively unexamined later plays the attention they deserve. Therein, Albee's conception of the American Dream is defined through an analysis of essays on post-World War II American domestic social attitudes. The playwright's biography is also examined. I then discuss Albee's stylistic and thematic groundwork by way of criticism of several early plays (The Zoo Story, The American Dream, Who's Afraid of Virginia Woolf?), followed by original textual analysis of three later plays (Three Tall Women, The Play About the Baby, The Goat, or Who is Sylvia?) in an attempt to uncover how Albee's comment on American cultural mythology has changed since the beginning of his career.
| Identifer | oai:union.ndltd.org:arizona.edu/oai:arizona.openrepository.com:10150/193250 |
| Date | January 2006 |
| Creators | Kittredge, James |
| Contributors | Dickey, Jerry |
| Publisher | The University of Arizona. |
| Source Sets | University of Arizona |
| Language | English |
| Detected Language | English |
| Type | text, Electronic Thesis |
| Rights | Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. |
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