Thesis (M.A.)--Boston University / The theories ot empathy in the visual aesthetic experience as propound by Theodor Lipps, Vernon Lee and Hugo Munsterberg attempt to explain cognition ar qualities that do nat correspond to any specific sensations due to an object, but are nevertheless attributed to the object just as the specific sensations (e.g. of red or blue) are attributed to it.
Pleasure felt as a result of experiencing the aesthetic object is not felt as occurring in the observer's body but as tied
up with the object.
The empathists discussed haw different explanations for the way that this attribution ot what seem to be "illusory qualities" is achieved.
For Theodor Lipps empathy is a more complex process than it is for the other empathists. According to his view the observer, on one hand, participates in the life and activity of the object, and, on the other hand, attributes these "illusory" qualities to the object. [TRUNCATED]
| Identifer | oai:union.ndltd.org:bu.edu/oai:open.bu.edu:2144/33473 |
| Date | January 1964 |
| Creators | Furstenberg, Rochelle |
| Publisher | Boston University |
| Source Sets | Boston University |
| Language | en_US |
| Detected Language | English |
| Type | Thesis/Dissertation |
| Rights | Based on investigation of the BU Libraries' staff, this work is free of known copyright restrictions. |
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