CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior / Trata-se de analisar a relaÃÃo entre a morte e o real nas psicoses, utilizando os romances Ao Farol e Mrs. Dalloway da escritora inglesa Virginia Woolf. Recorreu-se à teoria psicanalÃtica desde Sigmund Freud para compreender-se a categoria da morte, chegando atà Jacques Lacan e sua teoria sobre o real nas psicoses. Investigou-se sobre a vida de Virginia Woolf a partir de diÃrios e biografias da autora e percebeu-se que as mortes de diversos entes queridos foram-lhe extremamente marcantes, o que pareceu restar como marca em sua obra literÃria. Dado que a morte era aquilo que do real emergia que mais lhe causava angustia, escrever sobre a morte enquanto um dos nomes do real parecia agir como um intervalo de elaboraÃÃo frente a uma existÃncia fadada ao encontro com o que à da ordem do sem sentido. Exploraram-se os dois citados romances no intuito de compreender de que forma a morte emerge em sua escrita, na tessitura narrativa, na construÃÃo dos personagens, na elaboraÃÃo do enredo, entre outros aspectos. A pesquisa permitiu relacionar como a morte e o real surgem na categoria das psicoses e, particularmente, analisar as possibilidades de elaboraÃÃo para Woolf, via escrita, frente ao encontro com o real, que nÃo fossem um total assujeitamento aos elementos mortÃferos desse real. / This work analyzes the relation between the death and the Real in psychosis, by using the novels To the Lighthouse and Mrs. Dalloway from the english writer Virgina Woolf. One has studied the psychoanalytical theory from Sigmund Freud to understand the category of death, reaching as far as Jacques Lacan and his theory of Real in psychosis. The life of Virgina Woolf was investigated through her diaries and biographies, leading to realize that the death of several loved ones was extremely significant to her, which seems to remain as trace in her life work. Since death was what emerged from the Real that distressed her the most, to write about death as one of the names of the Real seemed to act as an elaboration intermission in the face of an existence fated to meet that whic is from the category of meaningless. The two novels were studied in order to understand how death emerges in her writing, in the storyâs fabric, in the characterâs creation, in the storyâs making, among other aspects. The research allowed one to understand how the relation between death and the Real appears in psychosis and, in particular, to analyze the possibilities of elaboration to Woolf, through her writing and in the face of the encounter with the Real, that werenât her complete submission to the deadly elements of the Real.
| Identifer | oai:union.ndltd.org:IBICT/oai:www.teses.ufc.br:12331 |
| Date | 05 May 2017 |
| Creators | Larissa Arruda Aguiar Alverne |
| Contributors | LaÃria Beserra Fontenele, Orlando Soeiro Cruxen, Marco Antonio Coutinho Jorge |
| Publisher | Universidade Federal do CearÃ, Programa de PÃs-GraduaÃÃo em Psicologia, UFC, BR |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Biblioteca Digital de Teses e Dissertações da UFC, instname:Universidade Federal do Ceará, instacron:UFC |
| Rights | info:eu-repo/semantics/openAccess |
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