In this study, historically informed performance practice (HIP) is investigated as an approach to the performance or vocal ornamentation, with special emphasis on the
operas of George Frideric Handel. The study aims to use information about this
approach to performance practice in order to show forth its significant role in the
performance of Handel arias. Through musicological viewpoints that have arisen out of the historical performance debate since the late 20th century, the study investigates the development and attributes of the HIP movement in order to identify its essential characteristics. Following this process, the author is able to define the HIP approach subjectively. Once a clearer knowledge of HIP is obtained, its influence on the performance of ornamentation is studied. Because Handel's operas were composed in the Italian style, the Italian vocal method is explored. Historical information is gathered
through the use of an aria, embellished by Handel, Affanni del pensier, from his opera
Ottone. With this information, the author attempts to freely embellish an aria, Da
tempeste if legno infranto, from Handel's opera, Giulio Cesare. This example of the
performance style is practised with the historical information in mind, without inhibiting the creativity of the author. / Thesis (M.Mus.)--North-West University, Potchefstroom Campus, 2010.
| Identifer | oai:union.ndltd.org:NWUBOLOKA1/oai:dspace.nwu.ac.za:10394/4280 |
| Date | January 2010 |
| Creators | Louw, Elsabé |
| Publisher | North-West University |
| Source Sets | North-West University |
| Language | Afrikaans |
| Detected Language | English |
| Type | Thesis |
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