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Previous issue date: 2017-07-28 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior (CAPES) / Esta disserta??o apresenta um estudo panor?mico acerca da oralidade no romance africano, particularmente, na obra Niketche: uma hist?ria de poligamia (2004), da mo?ambicana Paulina Chiziane, considerada a primeira escritora de seu pa?s a publicar neste g?nero. Investigamos a forma sob a qual o corpo da narra??o articula as tr?s categorias que desempenham um importante papel para a sensibilidade e a percep??o do oral no texto escrito: a voz, a letra e o gesto. Pela natureza do corpus escolhido, tal estudo adentrou discuss?es acerca do papel da mulher enquanto escritora, tecendo interpreta??es concernentes aos discursos ficcional, hist?rico e cultural sobre a mulher e associando o espa?o da cria??o art?stica a um terreno poss?vel de emergir novas formas de representa??o para o feminino. Os instrumentos que serviram de base para nossas reflex?es encontram-se ancorados nas postula??es da teoria liter?ria em torno da oralidade, como os escritos de Paul Zhumthor (2000) e Hampat?-B? (1980), al?m das teorias de cunho cultural e p?s-colonial de Homi k. Bhabha (2003) e Gayatry Spivak (2010). / This dissertation presents a panoramic study concerning the orality in African novel, particularly, in the book called Niketche: uma hist?ria de poligamia (2004), from Mozambican writer Paulina Chiziane, considered one of the first novelist from her country to publish in this genre. We investigated the form in which the narration embodies and articulates the three categories that features an important role to the sensitivity and the oral perception of the written text: the voice, the letter and the gesture. By the nature of the chosen corpus, such study permeated discussions about the role of the woman as a writer, weaving interpretations concerning the fictional, historic and cultural discourses about the women and associating the space of the artistic creation as a possible territory in which new forms of representation emerge concerning the feminine. The instruments that served as basis to our reflections are anchored in the postulates of the literary theory about the orality, such as the works of Paul Zumthor (2000) and Hampat?-B? (1980), as well as the cultural and post-colonial studies of Homi K. Bhabha (2003) and Gayatry Spivak (2010).
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/24409 |
| Date | 28 July 2017 |
| Creators | Dantas, Igara Melo |
| Contributors | 41013506391, Santos, Derivaldo dos, 65158598487, Sousa, Henrique Eduardo de, 42163226468, Freitas, S?vio Roberto Fons?ca de, 03550049412, Lima, T?nia Maria de Ara?jo |
| Publisher | PROGRAMA DE P?S-GRADUA??O EM ESTUDOS DA LINGUAGEM, UFRN, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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