This thesis explores the critical question of the ethics of creation as it emerges to the forefront of contemporary thought in the late twentieth century. The question is examined through three independent yet interrelated motifs: the legend of the Golem, the symbol of the Western Wall in Jerusalem, and the literature of Franz Kafka. An understanding of these three motifs, in all their implications, can provide valuable commentary and insightful reflections so that a discourse on a possible moral and ethical ground for affirmative creation can be engaged. It is imperative, in light of the destructive potentiality of our creative making, to address this discourse if architecture is to regain cultural relevance.
Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.69606 |
Date | January 1992 |
Creators | Ratner, Bram David |
Contributors | Perez-Gomez, Alberto (advisor) |
Publisher | McGill University |
Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
Language | English |
Detected Language | English |
Type | Electronic Thesis or Dissertation |
Format | application/pdf |
Coverage | Master of Architecture (School of Architecture.) |
Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
Relation | alephsysno: 001326309, proquestno: AAIMM87976, Theses scanned by UMI/ProQuest. |
Page generated in 0.0017 seconds