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Chains: Process, Form, and the Psychoanalytic

This project is a composition of the intersectionality between process, structure, and materiality, and an obsession, fixation, and fetishization of the simplistic yet repetitive ‘chain’ form. The thematic infatuation with the chain form became evident throughout my work in Spring 2014, while working with bronze, wood, and brass at the Slade School of Fine art in London, England. This fall I expanded on this concept to create my own representations of the chain form, abstracting and deterring it from any sociocultural origins, contexts, or landscapes.

Identiferoai:union.ndltd.org:CLAREMONT/oai:scholarship.claremont.edu:scripps_theses-1561
Date01 January 2015
CreatorsRoss, Haley C
PublisherScholarship @ Claremont
Source SetsClaremont Colleges
Detected LanguageEnglish
Typetext
Formatapplication/pdf
SourceScripps Senior Theses
Rights© 2014 Haley C. Ross

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