Knitting always begins with a line. As the needles and hands work together, performing the same action over and over again, the line quickly becomes a collection of lines, crossing, looping and locking. The looping and locking generates a surface, and the surface becomes a form. Knitting generates form.
Knitting is commonly categorized as a craft, associated with quick hands, idle time, and everyday objects that clothe us, and as a result, the technique is often overlooked and rarely pursued beyond its’ culturally constructed boundaries. What if knitting constructed new forms that transcended the ordinary and the expected, and challenged tradition? What if those forms spoke to shape, space, and light? The following collection of lines documents research and material explorations in an attempt to reinvent and redefine the boundaries and application of a traditional arts and crafts technique.
| Identifer | oai:union.ndltd.org:UMASS/oai:scholarworks.umass.edu:theses-1514 |
| Date | 01 January 2010 |
| Creators | Pratt, Abigail R |
| Publisher | ScholarWorks@UMass Amherst |
| Source Sets | University of Massachusetts, Amherst |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Masters Theses 1911 - February 2014 |
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