The thesis explores the complex relationship between modern audio technologies and the art of popular music through close scrutiny specific artefacts, a largely neglected area of musicological research. The detailed analyses presented here reveal the ways in which particular analogue and digital audio technologies are used, and how these have tended to shape and inform the musical and sonic characteristics of popular music recordings and related artefacts.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:490444 |
| Date | January 2007 |
| Creators | Warner, Timothy John |
| Publisher | University of Salford |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
Page generated in 0.0018 seconds