In this thesis I have explored the double bass as a lead instrument in a jazz trio setting by learning, rehearsing and performing melodies. The purpose was to explore the double bass’ melodic potential by approaching the instrument not as a comping instrument but as a lead instrument. My aim was to find different approaches to playing melody on the double bass; find ways to make the melody accessible for me when improvising; examine how the group can support the double bass as a soloist; examine what happens to the music when the bass plays lead; examine how a focus on melody can affect my comping. I studied different melodies and adapted them to the double bass using different techniques. I also created exercises to incorporate the melody of a song into my improvisation. My work was presented as a concert with most of the songs’ melodies played by me. Amongst other things, I found that having the double bass play the melody can lead to a more dynamic performance since the group must be careful not to overpower the bass.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:kmh-4882 |
| Date | January 2023 |
| Creators | Ulmestrand, Jakob |
| Publisher | Kungl. Musikhögskolan, Institutionen för jazz |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
Page generated in 0.0019 seconds