My main argument in this dissertation is that popular nationalism in post-war South Korea, unlike the conventional claim to it among many South Korean critical intellectuals and unification policy-makers, cannot serve as an antidote to anti-North Koreanism. On the contrary, it is problematic that the cultural politics of national identification, prescribed as an authentic critical tool of challenging anti-North Koreanism, helps program hierarchical inter-Korea relationships by exposing the South Korean public to anomalous cultural-political characteristics of North Koreans. It also does so by creating popular discourses that have reinforced unification policy agendas that frame the development of North Korea in terms that would make it amenable to the needs of transnational capitalism and the legitimacy of liberal human rights discourse. This critical endeavor claims that the critique of anti-North Koreanism cannot be successful without problematizing the idea of discontinuity that stresses there is a rupture between cold war and post-cold war forms of anti-North Koreanism. This is because any un-scrutinized presumption of the historical transition can only confuse critical interpretations of the role of national identification while thereby reinforcing policy-driven resolutions for inter-Korea sociability. Thus, I locate the significance of my work in a democratic call for South Korean critical communication and cultural studies as well as the public to effectively deconstruct the contingent discursive collaboration of national identification and anti-North Koreanism that complies with transnational globalization.
| Identifer | oai:union.ndltd.org:uiowa.edu/oai:ir.uiowa.edu:etd-1789 |
| Date | 01 January 2010 |
| Creators | Sung, Minkyu |
| Contributors | Andrejevic, Mark, 1964- |
| Publisher | University of Iowa |
| Source Sets | University of Iowa |
| Language | English |
| Detected Language | English |
| Type | dissertation |
| Format | application/pdf |
| Source | Theses and Dissertations |
| Rights | Copyright © 2010 Minkyu Sung |
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