La présente thèse doctorale propose l’étude de l’activité théâtrale développée dans les premiers théâtres permanents construits en Amérique Portugaise au long du XVIIIe et dans les premières décennies du XIXe siècle, en mettant l’accent sur les idéalisateurs des Casas da Ópera et les moyens de financement utilisés dans l’édification et l’entretien de celles-ci, le répertoire mis en scène, les artistes composant les compagnies théâtrales, les spectateurs et les possibilités de sociabilité établies dans l’espace théâtral et les modèles architectoniques qui ont inspiré la construction des bâtiments théâtraux au cours de la période mentionnée. Ces cinq axes principaux soulignent l’approche interdisciplinaire qui a orienté nos études, dans un souci de contribution à une plus complète compréhension de notre sujet de recherche. / This thesis discusses key aspects of theatrical activity in the public, permanent opera houses constructed in Portuguese America during the 18th and early 19th centuries. It focuses on the practicalities of running an opera house in the New World, such as raising finance for a theatre’s construction and maintenance, and choosing the repertoire to be staged within it, as well as the people behind these institutions - the impresarios of the Casas da Ópera, the artists they hired to perform with their companies, and the audiences they served -. A consideration of contemporary and historical European theatre-building provides the architectural context for the design and construction of the Casas da Ópera in this period. These major strands of discussion form an integrated, interdisciplinary approach in order to illuminate the history of the management, usage, design, and construction of these highly important and engaging buildings. / A presente investigação propõe o estudo da actividade teatral desenvolvida nos teatros públicos permanentes construídos na América Portuguesa ao longo do século XVIII e primeiras décadas do século XIX, com ênfase na importância dos idealizadores das Casas da Ópera coloniais, dos meios financeiros utilizados para a construção e manutenção dos teatros, do repertório representado, dos artistas integrantes das companhias permanentes, do público e das possibilidades de socialização estabelecidas dentro do espaço teatral, para além dos modelos arquitectónicos que teriam inspirado a construção das Casas da Ópera no período mencionado. Esses cinco eixos principais enfatizam a leitura interdisciplinar que guiou nossas investigações, no intuito de contribuir a uma compreensão mais abrangente do nosso objecto de estudo.
| Identifer | oai:union.ndltd.org:theses.fr/2010PA040159 |
| Date | 10 December 2010 |
| Creators | De Moraes Marreco, Rosana |
| Contributors | Paris 4, Universidade nova de Lisboa, Alencastro, Luiz Felipe de, Brito, Manuel Carlos de |
| Source Sets | Dépôt national des thèses électroniques françaises |
| Language | French |
| Detected Language | Unknown |
| Type | Electronic Thesis or Dissertation, Text |
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