This dissertation uses critical discourse analysis to conduct an examination of the reality television program Queer Eye. Queer Eye is a makeover show and each of the five main characters --Ted Allen, Kyan Douglass, Thom Filicia, Carson Kressley and Jai Rodriguez—has an area of specialty. The first two seasons of the show entitled Queer Eye for the Straight Guy gave makeovers exclusively to straight men. However, after season three the Fab Five, as they are commonly called, shortened the title and expanded their makeovers to couples, a gay man and a transgender man. The purpose of this study is to help understand the manner in which the representations of queer culture in the show reinforce the binaries of sex, gender and sexuality. By investigating the evolution of Queer Eye (all four seasons), this study provides insights into popular culture's understanding and depiction of sexual difference and evidences the strong link between these representations and the commercial interests of the producers. This study's theoretical framework brings together concepts from queer theory and political economy to the examination of the commodification and construction of sexuality and gender. In the show Queer Eye, the identity of both the five main characters and the guest character is represented as a reflection of their aesthetic choices, and audiences are exposed to numerous product placements and advertising messages. In encouraging materialism, the show transforms the term queer into a commodity sign and redefines masculinity as represented through wealth and accumulation. Drawing on a critical discourse analysis of the show, I argue that the Fab Five serve as normative figures within the structure of the capitalist system because their performance reflects the intrinsic values of a materialistic society and ignores social responsibility. Moreover, consistent with the stereotypical representation of gay males in American culture the queerness of the Fab is depicted as asexual and a form of aestheticism. / A Dissertation submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Doctor of Philosophy. / Spring Semester, 2008. / March 18, 2008. / Queer Eye, Political Economy, Queer / Includes bibliographical references. / Donna Marie Nudd, Professor Directing Dissertation; Jerrilyn McGregory, Outside Committee Member; Jennifer M. Proffitt, Committee Member; Stephen D. McDowell, Committee Member.
| Identifer | oai:union.ndltd.org:fsu.edu/oai:fsu.digital.flvc.org:fsu_182675 |
| Contributors | Velázquez Vargas, Yarma (authoraut), Nudd, Donna Marie (professor directing dissertation), McGregory, Jerrilyn (outside committee member), Proffitt, Jennifer M. (committee member), McDowell, Stephen D. (committee member), School of Communication (degree granting department), Florida State University (degree granting institution) |
| Publisher | Florida State University, Florida State University |
| Source Sets | Florida State University |
| Language | English, English |
| Detected Language | English |
| Type | Text, text |
| Format | 1 online resource, computer, application/pdf |
| Rights | This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). The copyright in theses and dissertations completed at Florida State University is held by the students who author them. |
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