As Alexander Galloway observes in an essay called “Computers and the Superfold,” Gilles Deleuze’s 1990 “Postscript on the Societies of Control” is a highly unusual text, when compared to the philosopher’s larger oeuvre: “Such a strange little text” (Galloway 2012: 513), it is indeed very different from the earlier Deleuze of Difference and Repetition and The Logic of Sense, or the Deleuze who wrote the two-volume magnum opus Capitalism and Schizophrenia in tandem with Félix Guattari. How to read not only its peculiarity within Deleuze’s work as a whole, but also its particularity as a text that belongs to a certain genre?
| Identifer | oai:union.ndltd.org:DRESDEN/oai:qucosa:de:qucosa:72816 |
| Date | 17 November 2020 |
| Creators | Greve, Julius |
| Publisher | Universität Leipzig |
| Source Sets | Hochschulschriftenserver (HSSS) der SLUB Dresden |
| Language | English |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, doc-type:article, info:eu-repo/semantics/article, doc-type:Text |
| Rights | info:eu-repo/semantics/openAccess |
| Relation | urn:nbn:de:bsz:15-qucosa2-728155, qucosa:72815 |
Page generated in 0.1194 seconds