Taiwan had been colonized by different regimes and thus experienced several waves of immigration in history. Traditionally, there are two forms of writings in Taiwanese language (not Chinese language) --The Chinese character and the Romanized Taiwanese in different historical perspectives -- as a result , it can be problematic especially in its written form. The establishment of the newspaper Tâi-oân-hú-siâⁿ Kàu-hōe-pò which was founded in 1885 had gradually increased the works of Taiwanese literature. This research analyzes the writing problems of Taiwanese literature in the aspects of Epistemology and Aesthetics.
It had different totalitarian rules in modern Taiwan have caused two big controversies in the ways of writing systems in Taiwanese literature. Along the controversies on Taiwanese language and its writings that I quoted, the thinking of the movement of ¡§consistency between speech and writing¡¨was originated from the modern Japanese literature, especially the viewpoint¡§inner man¡¨and¡§scene. On the other hand, language issues in European philosophy already has a very long tradition of reflection, which, at first appearance, considers of philosophy that language as merely a tool to represent thinking. After the linguistic turn and the rise of literature, European philosophy of thinking about language problems, has transformed the thinking about language problems from the appearance from the classical theory into the viewpoint that regards language as the material and the machine to my research. This research embarks from the idea of¡§consistency between speech and writing¡¨in the ¡§scene¡¨ regarding the epistemological mechanism, and the philosophy developed by Maurice Merleau-Ponty as to body language, body language as an expression of ideas, reflecting on the perception and cognition mechanism of Taiwan philology system, whit which is formd during this ¡§abstract movement¡¨ .
And is how the ¡§abstract movement¡¨ becomes as abstract machine? This research employed Gill Deleuze¡¦s concept of ¡§body without organs¡¨ and ¡§machine¡¨ to analyze the writing problems of Taiwanese literature. From the viewpoints of Deleuze and Guattari, the issue about written forms of Taiwanese literature can be considered as a progress from epistemological mechanism into the ¡§machine¡¨, and thus forms a virtual power of aesthetics.
| Identifer | oai:union.ndltd.org:NSYSU/oai:NSYSU:etd-0907111-092647 |
| Date | 07 September 2011 |
| Creators | Hsieh, Yi-Lin |
| Contributors | Jow-Jiun Gong, Wi-vun Taiffalo Chiung, Chung-Chi Yu, Mathias Obert |
| Publisher | NSYSU |
| Source Sets | NSYSU Electronic Thesis and Dissertation Archive |
| Language | Cholon |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0907111-092647 |
| Rights | user_define, Copyright information available at source archive |
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