This thesis explores an architectural response for an urban site that incorporates the dismantled façade stones (spolia) of the site’s previous building into two dialectical devices: a ramp and a camera obscura. Each device allows the stones to act as both artifact (individual object with an embedded history) and frame (structure that invites a reading of its context).
Spatial and temporal concepts from film provide theoretical guidance for the dialectical structure of the architectural design approach. A constant navigation between pairs of opposing forces (capturing/projecting, introvert/extrovert, operator/device, artifact/frame, object/subject) results in a pair of architectures, one a cinema + digital archive and the other a film school, between which a public space is activated as an outdoor amphitheatre. The two buildings simultaneously act as object (artifact) and subject (frame) in an attempt to locate and express a redefined historical continuity for the site.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:NSHD.ca#10222/21455 |
| Date | 19 March 2013 |
| Creators | Merriman, Molly |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
| Type | Thesis |
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