If there was but one important issue to be highlighted concerning
Serbian music of the 20th century, it would certainly be the question
of musical nationalism. As in all other countries belonging to the
so-called European periphery, composers in Serbia faced the problem
of asserting both their belonging to the European musical community
and specific differences. The former had to be displayed by
their musical craftmanship and creative individuality, while the latter
were conveyed through the introduction of native folk elements
as tokens of a specific identity.
| Identifer | oai:union.ndltd.org:DRESDEN/oai:qucosa:de:qucosa:21226 |
| Date | 16 May 2018 |
| Creators | Milin, Melita |
| Publisher | Gudrun Schröder, Universität Leipzig |
| Source Sets | Hochschulschriftenserver (HSSS) der SLUB Dresden |
| Language | English |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, doc-type:conferenceObject, info:eu-repo/semantics/conferenceObject, doc-type:Text |
| Rights | info:eu-repo/semantics/openAccess |
| Relation | 3-926196-44-0, urn:nbn:de:bsz:15-qucosa2-212200, qucosa:21220 |
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