「大師與瑪格麗特」的主要構思以三十年代的莫斯科市為背景,當時在該市突然出現了一群「黑暗之神」及其黨羽。作者安排這些惡徒以擬人化形式出現,不被任何邏輯法規所規範。撒旦-沃藍德,就是所謂的「黑暗之神」,他出現在莫斯科市,企圖考驗作品中的各個角色;賜予主角大師及瑪格麗特應得的獎賞-即「相愛」及「互信」;懲罰貪污、卑鄙者及叛徒。作品中受懲罰者是以作者心目中最高真理的標準來審判而非以世俗所認定的人類法律為準。
本論文提供了創新學術視野,將布爾加科夫的「大師與瑪格麗特」做學術性深入的研究。研究的對象是在主旨及文藝思想關係極為複雜的一群角色,即所謂「惡魔的體現者」。在論文中探討這些角色的起源、作者對其之詮釋及各角色在作品中的演變轉換現象。特別專注在邪惡勢力在小說中的功能,並分析每一個惡魔角色在文中的行為舉止。另外,本論文並分析作品中所謂邪惡勢力之各個角色之結構形成和作用。 / The novelty of this paper lies in a profound, academic research on Bulgakov’s “Master and Margarita”. The research has been focused on the theme of the story and the characters with complex relations of artistic thoughts, i.e., operators of demonic deeds. This paper explores the origin and the evolution of these characters as well as the author’s interpretations of each character. Special attention is paid to an analysis of the function of the evil power and of the conducts of each demon character in the novel. The purpose of the research is to analyze the formation of each demon character and its function.
Identifer | oai:union.ndltd.org:CHENGCHI/G0089554007 |
Creators | 陳茵茵, Chen,Yin-Yin |
Publisher | 國立政治大學 |
Source Sets | National Chengchi University Libraries |
Language | 俄文 |
Detected Language | English |
Type | text |
Rights | Copyright © nccu library on behalf of the copyright holders |
Page generated in 0.0015 seconds