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Clestrinye [El Carnaval del Perdón]: Traditional Rituals in Intermedia Composition.

In Part I of this thesis, I examine the use of Latin American rituals, ceremonies, and traditional folklore as conceptual and compositional material; studying and re-contextualizing concepts, cultures, and ideologies, and introducing them to foreign audiences. I explore issues such as laptop improvisation, interaction with other performance forces, and the utilization of the social elements of non-western celebrations, as explored in Clestrinye, a work for live and fixed electronics, mixed ensemble, dancers, and painters.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc9041
Date08 1900
CreatorsSalazar, Camilo
ContributorsBithell, David, 1976-, Klein, Joseph, 1962-, Nelson, Jon Christopher
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
FormatText
RightsPublic, Copyright, Salazar, Camilo, Copyright is held by the author, unless otherwise noted. All rights reserved.

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