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Obscenity, Gender, and Subjectivity: An Examination of Gender and Subjectivity in Hubert Selby Jr.'s Last Exit to Brooklyn, Gloria Naylor's The Women of Brewster Place, and Ntozake Shange's for colored girls who have considered suicide when the rainbow is enuf

<p>This thesis examines how obscenity can be used either to maintain or to challenge gender stereotypes. Though this thesis focuses on only three texts, the questions raised concerning the relation between obscenity, gender, and subjectivity have wide applications. The primary theory applied here is a feminist poststructuralism which sees gender as socially constructed through language. According to poststructuralism, everything is formed socially or culturally through language. This includes the realities people experience of themselves and their surroundings; therefore, the language used to describe, and ultimately to construct, gender, is extremely important for a feminist critique of gender construction in our patriarchal society. Obscenity plays an often theoretically neglected role in the construction of gendered subjectivities. Drawing attention to the interconnection between obscenity and gender construction is important to feminists for several reasons. Understanding this interconnection may allow feminists not only to undermine stereotypical gender subjectivities, but to create entirely new subject positions.</p> <p>To investigate the relationship between obscenity, gender, and subjectivity, this thesis examines the following texts: Last Exit to Brooklyn, The Women of Brewster Place, and for colored girls who have considered suicide when the rainbow is enuf. The Introduction provides a general survey of critical work concerning obscenity and gender construction as well as providing an introduction to poststructural theory. Chapter I examines Last Exit to Brooklyn and raises questions about, among other things, the misappropriation of obscenity by Selby's female characters where women swear but do so in a patriarchal manner. Selby, in privileging violence over language, silences his female characters in his reinscription of the patriarchy. Chapter II examines The Women of Brewster Place and the context Naylor creates which clearly condemns male violence and gives power to female voices. Chapter III examines for colored girls ... and finds several similarities between Naylor's and Shange's use of obscenity. The new subject positions that these two authors create will be investigated.</p> / Master of Arts (MA)

Identiferoai:union.ndltd.org:mcmaster.ca/oai:macsphere.mcmaster.ca:11375/13783
Date January 1991
CreatorsLord, Robert Allan Bruce
ContributorsO`Connor, Mary, English
Source SetsMcMaster University
Detected LanguageEnglish
Typethesis

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