Our theatre tradition has a long history where men have written most of the plays. If we want that the theatre should be a place, which should be built as much around womens experience as mens experiences, how can we relate to the canon? This is a study based on questions around our theatre tradition. Three women dramatists have been asked questions like: What do you think about the classics? About the women roles? Do the classics inspire you, in your writing? Is there a difference in being a female dramatist than being a male dramatist? Femi-nist theatre- theories have been used to guide us through the canon. Through the answers and reflection I have found that women writers still feel locked up in their sex, they always have to deal with the fact of being first of all women. The study has also given some answers about their relation to the classics and the women roles in them. We shall also see that it is a possi-ble connection between the canon and some patriarchal conservative theatre institutions.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:sh-892 |
| Date | January 2006 |
| Creators | Sarachu, Åsa |
| Publisher | Södertörns högskola, Institutionen för genus, kultur och historia, Huddinge : Institutionen för genus, kultur och historia |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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