In this study, I examined musical recordings from the jazz idiom that relate to events or ideas involved in the Civil Rights Movement during the mid-1950s through the mid-1960s. The study focused on the four following musicians' recordings: Charles Mingus, Fables of Faubus; Sonny Rollins, The Freedom Suite; Ornette Coleman, Free Jazz; and John Coltrane, A Love Supreme. The study relies primarily on the aforementioned recordings, critics analysis of those recordings, and events that took place during the Civil Right Movement.
The study concludes that these recordings are not only commentary about ideas and events but historically representative of the movement as well.
| Identifer | oai:union.ndltd.org:ETSU/oai:dc.etsu.edu:etd-2119 |
| Date | 01 December 2004 |
| Creators | Henry, Lucas Aaron |
| Publisher | Digital Commons @ East Tennessee State University |
| Source Sets | East Tennessee State University |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Electronic Theses and Dissertations |
| Rights | Copyright by the authors. |
Page generated in 0.0014 seconds