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The Advent of an Artist-Composer Movement Exemplified by the Works of Saxophonists Colin Stetson, Evan Parker, and Contemporaries

Arising out of the avant-garde jazz tradition, a particular genre of solo saxophone music has emerged that combines stylistic attributes of avant-garde jazz and improvisation with minimalism, and is dependent on circular breathing, harmonic manipulation, and other techniques. To distinguish the music and the saxophonists and composers associated with it I have referred to this genre as "post avant-garde." With its roots ultimately in avant-garde jazz of the 1960s, this genre arose through the solo improvisation work of Evan Parker from the 1970s to present, and the music has since been an influence on the work of Colin Stetson and other artists, as well as composers including Gordon Fitzell and Alex Mincek. This document examines a previously unacknowledged but distinct genre of solo saxophone music, as well as the music of associated artists and composers.

Identiferoai:union.ndltd.org:arizona.edu/oai:arizona.openrepository.com:10150/625662
Date January 2017
CreatorsHerald, Christopher R., Herald, Christopher R.
ContributorsGoodman, Edward, Goodman, Edward, Fraker, Sara, Weinberg, Norman
PublisherThe University of Arizona.
Source SetsUniversity of Arizona
Languageen_US
Detected LanguageEnglish
Typetext, Electronic Dissertation
RightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.

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