The thesis examines the nature of political reform and the role of culture in the liberal utopia envisaged by Richard Rorty in Contingency, Irony, and Solidarity. Rorty's overall project is outlined, and situated within the anti-foundationalist critique that has been the hallmark of his recent career. The perilous position of nonintellectuals within the otherwise-acceptable utopia is detailed. Harold Bloom's conception of the strong poet is then examined and compared to the use Rorty makes of Bloom; I conclude that the faults of the liberal utopia lie primarily in establishing the strong poet as that culture's hero. I turn to Rorty's reading of Sigmund Freud, a reading which consistently inverts Freud's insights in order to make Freud fit into Rorty's plan. Finally, I re-examine Freud and suggest ways in which he can be used to correct the faults of the liberal utopia.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.60611 |
| Date | January 1991 |
| Creators | Cashion, Tim |
| Publisher | McGill University |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Format | application/pdf |
| Coverage | Master of Arts (Department of English.) |
| Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
| Relation | alephsysno: 001255952, proquestno: AAIMM72225, Theses scanned by UMI/ProQuest. |
Page generated in 0.0028 seconds