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Art Criticism and the Professional Perspective: The Functions of Analogies between Music and Painting in Charles Avison’s Essay on Musical Expression and William Hogarth’s Analysis of Beauty

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1. urn:nbn:de:bsz:14-qucosa2-732091
2. https://slub.qucosa.de/id/qucosa%3A73209
3. https://slub.qucosa.de/api/qucosa%3A73209/attachment/ATT-0/

Identifer	oai:union.ndltd.org:DRESDEN/oai:qucosa:de:qucosa:73209
Date	18 December 2020
Creators	Knoth, Ina
Source Sets	Hochschulschriftenserver (HSSS) der SLUB Dresden
Language	English
Detected Language	English
Type	info:eu-repo/semantics/acceptedVersion, doc-type:conferenceObject, info:eu-repo/semantics/conferenceObject, doc-type:Text
Rights	info:eu-repo/semantics/openAccess
Relation	https://doi.org/10.25366/2020.112, urn:nbn:de:bsz:14-qucosa2-732020, qucosa:73202