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Hagiography, Teratology, and the "History" of Michael Jackson

Before his death, Michael Jackson arguably was one of the most famous living celebrities to walk the planet. Onstage, on air, and onscreen, he captivated the attention of millions of people around the world, whether because they loved him or loved to hate him. In an attempt to explain his popularity and cultural influence, I analyze certain theoretical and methodological approaches found in recent scholarship on western hagiographic and teratological texts, and apply these theories and methods to selected biographies written on Michael Jackson. By interpreting the biographies in this way, I suggest why saints, monsters, and celebrities have received considerable attention in their respective communities, and demonstrate how public responses to these figures are contextual, constructed, and often contradictory.

Identiferoai:union.ndltd.org:GEORGIA/oai:digitalarchive.gsu.edu:rs_theses-1033
Date11 August 2011
CreatorsO'Riley, Kelly M
PublisherDigital Archive @ GSU
Source SetsGeorgia State University
Detected LanguageEnglish
Typetext
Formatapplication/pdf
SourceReligious Studies Theses

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