This dissertation is arranged in three parts which address issues concerning death and immortality. These issues all revolve around the temporal limit imposed by death. I have endeavoured to pose some questions which have relevance to a society clutching onto traditional notions of an afterlife despite its headlong thrust into a technologically advanced future where ethical confusions abound. In the first chapter I examine the metaphysics of the soul because postulating an afterlife is the conventional response to death anxiety. I have noticed that many people cling to hope of immortality without having any understanding of the metaphysical architecture of this hope. Consequently, from a philosophical perspective, I contrast arguments on the soul by Plato, Aristotle, Aquinas and Descartes. The second chapter emerges from a fascination with Epicurus's theory of living and, derivatively, of dying. It involves a comparison with (1) Aristotle's distinction between energeia (actuality) and kinesis (movement), and (2) the sybaritic hedonism of the Cyrenaics. Although the theme of this chapter is pleasure, it will be seen that pleasure lies embedded in the living project and is an important component in the drive for survival. In the third chapter I reflect on the meaning of life in conjunction with length of time lived. Here I compare the meaninglessness experienced by Leo Tolstoy (because his life is too short) and the meaninglessness experienced by the fictional character Elena Makropulos (because her life is too long). The Makropulos "case", both a play by Karel Capek and an opera by Leos Janacek, was introduced into the philosophical world by Bernard Williams.
| Identifer | oai:union.ndltd.org:ADTP/253725 |
| Creators | O'Brien, Carol Ann |
| Source Sets | Australiasian Digital Theses Program |
| Detected Language | English |
Page generated in 0.0013 seconds