In this thesis, I explored how I can work on transcribing and analyzing music to develop my personal musical voice. I examined different methods of transcribing and analyzing music, then chose the one that worked best for me. I then applied this method to three solos and three compositions. Through this process, I identified specific elements that spoke to me in the music and used them as tools to expand my improvisation and composition style. The results of this study show that the use of this method brought a newfound level of clarity to my music and allowed me to expand my artistic range. However, it was also recognized that further experimentation and exploration would be necessary to continue my development of a deeper, more fully-realized musical voice. In conclusion, this study highlights the potential for transcribing and analyzing music to enhance personal musical expression and underline the importance of ongoing experimentation and refinement for artists looking to develop a clear and authentic voice. / <p>Konsertprogram:</p><p>The Traveler</p><p>Stress</p><p>Travis</p><p>Transparent</p><p>Fadeing</p><p></p><p>Medverkande musiker:</p><p>Hampus Westin - Bas</p><p>Aaron Dutton: Saxofon</p><p>David Stener - Piano</p><p>Albin Ormegard - Gitarr</p><p>William Wermeling - Trummor</p><p></p><p></p><p>Inspelning av konserten finns bifogad</p>
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:kmh-4977 |
| Date | January 2023 |
| Creators | Rönnberg Westin, Hampus |
| Publisher | Kungl. Musikhögskolan, Institutionen för jazz |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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