Syntactic Differences between Italiano Letterario and Italiano Neostandard This diploma thesis focuses on two usages of Italian language: Italiano Letterario and Italiano Neostandard, and syntactic differences between these too. The aim of the paper is to list these differences, describe them and prove them as vital via an analysis of several contemporary Italian texts. The thesis is divided into two basic parts. The first part is rather theory-focused and its aim is to define both terms Italiano Letterario and Italiano Neostandard, present the development of the language since the 1860, when Italiano Letterario was set, describe the main features of Neostandard (including the differences between written and spoken variations), briefly outline the changes of the literary language during the course of the 20th century and list and describe in detail the syntactic features of Neostandard. First we described the language situation at time of Italian unification. There was an urge for a single language to be appropriate for every communication situation. The Lombardian writer Alessandro Manzoni, who dedicated all his life to the question of language, came up with the solution he had also applied in the ultimate version of his masterpiece The Betrothed (I Promessi Sposi). The novel was written in the...
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:298953 |
| Date | January 2011 |
| Creators | Streublová, Denisa |
| Contributors | Štichauer, Pavel, Špaček, Jiří |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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