Scholars of Jewish literature consistently ask what it means to "write Jewishly". Strangers in a Strange Land posits that eight short works of Jewish fiction by authors in different times and places construct a consistent narrative realm of possibilities. I employ Possible Worlds literary theory to argue for this hypothesis. I argue that the narrative realm of these eight short stories is defined by liminal zones and liminal figures, marked most intensely by an implied porousness in the veil between the natural and the supernatural. My argument is based on a close analysis of major liminal themes: transit and wandering; dreamstates and visions; darkness and night; (un)death; and others. I contextualize these themes in two ways: first, by connecting them to the genres of Fantastic and Paranormal fiction in non-Jewish Western literature; and second, by bringing earlier Jewish tales into the discussion, illustrating that they have been and remain present in Jewish writing, in some cases as distant temporally as the Israelite literature of the Hebrew Bible. This panorama of ambiguous zones and characters unable to find steady footing would contribute to discussions of the nature of Jewish literature and its ability to create a virtual literary Home for a population that has been dispersed across the continents.
| Identifer | oai:union.ndltd.org:uottawa.ca/oai:ruor.uottawa.ca:10393/44476 |
| Date | 06 January 2023 |
| Creators | Toufexis, Jesse |
| Contributors | Reinhartz, Adele |
| Publisher | Université d'Ottawa / University of Ottawa |
| Source Sets | Université d’Ottawa |
| Language | English |
| Detected Language | English |
| Type | Thesis |
| Format | application/pdf |
| Rights | Attribution-NonCommercial-NoDerivatives 4.0 International |
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