This thesis examines the relationship between the marginalization of ornamentationduring functionalist modernism and the effect it had on female graphic design practice.By examining the historiography from a gender and feminist theory of history Ipresent a different way of interpreting, not only the history of graphic design but alsothe concept of graphic design. This thesis does not reach a conclusive result, insteadit sets the foundation for further research and illustrates the opportunities that we asgraphic designers have to benefit contemporary graphic design by critically reviewingand redefining our history through a diverse historiography.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:mau-22334 |
| Date | January 2013 |
| Creators | Holmgren, Anna |
| Publisher | Malmö högskola, Fakulteten för kultur och samhälle (KS), Malmö högskola/Kultur och samhälle |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
Page generated in 0.0024 seconds