<p>This dissertation explores and theorizes the work of American artist Matthew Barney through the concept of deadpan, and situates it in relation to themes of hybridity and animality in parallel histories of sculpture, performance art, and film.</p> / Dissertation
| Identifer | oai:union.ndltd.org:DUKE/oai:dukespace.lib.duke.edu:10161/11390 |
| Date | January 2015 |
| Creators | Routh, Mitali Jones |
| Contributors | Stiles, Kristine |
| Source Sets | Duke University |
| Detected Language | English |
| Type | Dissertation |
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