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Previous issue date: 2017-02-22 / A presente disserta??o, intitulada Th?r?se, ?xtase de um corpo ofertado: travessia mitodol?gica de uma artista de f(r)ic??o, trafegou sobre os solos da arte e do sagrado, aqui abordados por meio de uma pesquisa pr?tica/te?rica encampada pela artista-pesquisadora Karla Martins acerca do seu mito-guia: Santa Teresinha do Menino Jesus. A santa francesa, tamb?m conhecida como da Sagrada Face, manifestou-se nesta investiga??o a partir do campo da mitologia pessoal da artista-pesquisadora e foi desvelada por uma experi?ncia perform?tica. Para a constru??o desta experi?ncia, lan?ou-se m?o da Mitodologia em Arte e da Artetnografia, pr?ticas/conceitos capitaneados pela Prof. Ph.D. Luciana Lyra (UERJ / UFRN), que, por sua vez, est?o ligados aos campos da Antropologia da Experi?ncia (Antropologia da Performance), do antrop?logo Victor Turner, e da Antropologia do Imagin?rio, do soci?logo Gilbert Durand, que em si transitam acerca de ritos de passagem, da imagem, do mito e do ritual. A partir da aplica??o dos procedimentos mitodol?gicos, viu-se eclodir as puls?es mais ?ntimas da artista-pesquisadora, que perpassaram a escrita e a cria??o da performance Th?r?se. / This dissertation, entitled Th?r?se, ecstasy of an offered body: the mythodological journey of a f(r)iction artist, travels over the grounds of art and holiness, discussed here by means of a practical/theoretical research embraced by the artist-researcher Karla Martins about her guide-myth: Saint Therese of the Child Jesus. The French saint, also known as the Holy Face, manifests itself in this investigation through the scope of the artist-researcher?s personal mythology and unveils herself through a performative experience. In order to carry such experience on, the research was based on the Mythodology in Art and the Artethnography, practices/concepts upheld by Prof. Ph.D. Luciana Lyra (UERJ), which, in turn, are connected to the fields of Anthropology of Experience (Anthropology of Performance), led by anthropologist Victor Turner, and Anthropology of the Imaginary, led by sociologist Gilbert Durand, which by their turn involve rites of passage, image, myth and ritual. The application of these mythodological procedures cause the most intimate of the artist-researcher?s pulsions to erupt and pervade her writing, as well as the creation of the performance Th?r?se itself.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/24468 |
| Date | 22 February 2017 |
| Creators | Silva, Karla Lidiane Costa Martins |
| Contributors | 83010785453, Dawsey, John Cowart, 00560594852, Haderchpek, Robson Carlos, 21589603885, Lyra, Luciana de F?tima Rocha Pereira de |
| Publisher | PROGRAMA DE P?S-GRADUA??O EM ARTES C?NICAS, UFRN, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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