Creating, producing and listening to podcasts has become an increasingly popular way for cultural transmission. Among an infinitely number of genres true crime has been rising in popularity during the last decade. By consuming true crime- podcasts we also affirm the relevance of the cultural exchange. The aim of this study is therefore to examine what this contemporary cultural exchange consists and in what way the transmission affect the actors. The study was implemented by interviewing creators of true crime- podcasts as well as women consuming numerous podcasts within the genre. By applying Bourdieus theoretical concepts combined with Boltanski and Thevenots theory about orders of worth in the analyses of the empirical material we can acquire a profound understanding of individual practices as well as how they legitimize their actions. From the comprehensive material generated from the interviews we found some distinctive results. First, the creators aim to educade, inform and engender a reflective practice within the consumers. The podcastconsumers assigned that they are listening to true crime- podcast in the purpose of entertainment and the acquisition of information. Also, they keep listening although many of them have experienced feelings of fear and have become more cautious towards their surroundings. The cultural exchange that takes place within the podcast is the creation of meaning and reflection itself.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:lnu-101065 |
| Date | January 2021 |
| Creators | Lagerstedt, Hanna, Frejborg, Emma |
| Publisher | Linnéuniversitetet, Institutionen för samhällsstudier (SS), Linnéuniversitetet, Institutionen för samhällsstudier (SS) |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
Page generated in 0.0023 seconds