The father in Crossing the River by Caryl Phillips is a character burdened by guilt due to his implication in his children’s enslavement. He can be considered a supernatural being since his character transcends time. He is also connected to a supernatural essence called the “many-tongued chorus” that can be seen to represent the people of the African diaspora. The father is desperately trying to communicate with his children, and to the people of the African diaspora, but to no avail. He can, however, be interpreted as having a healing function. This essay explores this function. It analyzes how the father tries to heal the people of the African diaspora’s loss of ‘home’ and identity by looking at what he conveys in the prologue and the epilogue. The concepts of displacement, colonized minds, and roots and routes within postcolonialism is used for this purpose.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:hig-37639 |
| Date | January 2022 |
| Creators | Orwald, Jennifer |
| Publisher | Högskolan i Gävle, Avdelningen för humaniora |
| Source Sets | DiVA Archive at Upsalla University |
| Language | English |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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