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Ernst Ludwig Kirchner (1880-1938): Early Female Nudes in Landscapes

This thesis examines how Ernst Ludwig Kirchner reconceived the female nude within the two contexts of Expressionism and the German nudist movement. In particular, it looks to Kirchner’s early paintings, executed between 1909 and 1914, of female nudes in landscape settings to determine how Kirchner operated within and departed from the conventions of the female nude. This thesis challenges the feminist critique of Expressionist painting and Kirchner’s female nudes. It also examines how Kirchner’s female nudes in landscapes are complicated by the early twentieth-century development of German nudism. While these paintings are often categorized as bathers following nineteenth-century French precedent, they in fact are unique products of die Brücke philosophy.

Identiferoai:union.ndltd.org:vcu.edu/oai:scholarscompass.vcu.edu:etd-1157
Date17 November 2010
CreatorsRogge, Kathryn
PublisherVCU Scholars Compass
Source SetsVirginia Commonwealth University
Detected LanguageEnglish
Typetext
Formatapplication/pdf
SourceTheses and Dissertations
Rights© The Author

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