This dissertation explores the contribution to opera in South Africa by The Black Tie Ensemble. The research follows a qualitative research design. It is a historical case study which is conducted against an interpretivist philosophical perspective. Data were collected through interviews conducted with prominent role-players in The Black Tie Ensemble and through various articles from newspapers and magazines. From the data collected, specific themes crystallized; the impact of performance and training opportunities flourished during the twelve years of the existence of this unique programme, the development of singers and sponsorship to the arts contributed significantly to the success or failure of this phenomenon and outreach programmes introduced the genre to the broader community. Recommendations from this study could lead towards the planning and guidance of sponsorships for similar programmes in the future and indicate the need for more training facilities of young singers throughout the country, whilst gaining performance experience in a theatre. Such training and experience could ensure a future career in singing and hence job creation. / MA (Musicology), North-West University, Potchefstroom Campus, 2015
| Identifer | oai:union.ndltd.org:NWUBOLOKA1/oai:dspace.nwu.ac.za:10394/15487 |
| Date | January 2014 |
| Creators | Olivier, Antoinette Johanna |
| Source Sets | North-West University |
| Language | English |
| Detected Language | English |
| Type | Thesis |
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