Return to search

Indefinite Ethnicity in Fact and Fiction: "Invisible Color" or "Honkified Meanderings"?

Passing, both standard and reverse, is the process of changing ethnicity. The methodology of reverse passing varies, but claiming "no color" is ineffective in fact and fiction as can be seen in James McBride's The Color of Water, Shirlee Taylor Haizlip's The Sweeter the Juice, Danzy Senna's Caucasia, and Rosellen Brown's Half a Heart. The characters in these texts attempt indefinite ethnicity by denying color and are prone to restlessness and failure until they accept racial duality.

Identiferoai:union.ndltd.org:ETSU/oai:dc.etsu.edu:etd-2241
Date17 December 2005
CreatorsHughes, Anita Louise
PublisherDigital Commons @ East Tennessee State University
Source SetsEast Tennessee State University
Detected LanguageEnglish
Typetext
Formatapplication/pdf
SourceElectronic Theses and Dissertations
RightsCopyright by the authors.

Page generated in 0.002 seconds