While the MPAA’s Classification and Ratings Administration – or CARA – has generally expanded the freedoms of filmmakers since its 1968 inception, the economic failure of the NC-17 rating has led to substantial inconsistencies in the rating system. Because of the CARA model, filmmakers have been able to probe the extremes of violence under the R rating while they have been unable to do the same for screen sexuality. Through the NC-17 rating, CARA has been able to repress non-pornographic sexual portrayals by rating a given film NC-17, thus forcing contractually obligated directors to make edits that are sometimes inconsistent and arbitrary. Though cinema used to have significant thematic and visual freedoms over television, NC-17 level paid cable programming has surpassed what is allowed under CARA’s R-rating, allowing for more complex and mature viewpoints on sexuality than is currently allowed to regularly reach film audiences.
| Identifer | oai:union.ndltd.org:GEORGIA/oai:digitalarchive.gsu.edu:communication_theses-1061 |
| Date | 23 April 2010 |
| Creators | James, David Wesley |
| Publisher | Digital Archive @ GSU |
| Source Sets | Georgia State University |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Communication Theses |
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