In terms of dress, there are various misconceptions that exist in our ever-so conscious society, which can make Easterners in the Occident neglect aesthetics that are linked to their roots. Orientalist notions of the Middle East and its complex history of conflict have both played their part in developing a cultural disconnection between the East and the Western world. This area of investigation explores the recontextualization of a selection of original and cultural elements from the Levant and Arabian Peninsula by the means of construction within men’s suits, thobes and accompanying traditional attire. The work implies to challenge the Western world’s dominant influence on fashion, where it becomes crucial to assert cultural aspects linked to facts and aesthetic value. What could be deemed as lacking in fashion is an intricate appropriation of Levantine and Arabian elements in relation to shape, proportion and material. In this exploration, it is executed through placing the selected components alongside Westerly ‘reserved’ categories such as the exaggerated shoulder pad, where each action is influenced by the outcome of the previous. The result can be described as a convergence between expressions that are culturally polarizing, which can reinvent the narrative of Westerly misperceived dress and symbols that are both ubiquitous and preserved in the transcultural region.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:hb-24593 |
| Date | January 2020 |
| Creators | David, Kristian |
| Publisher | Högskolan i Borås, Akademin för textil, teknik och ekonomi |
| Source Sets | DiVA Archive at Upsalla University |
| Language | English |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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