This dissertation traces the concept of national memory through the five architectural spaces that have housed the dead body of Mustafa Kemal Atatü / rk: the bedroom in Dolmabahç / e Palace, Istanbul, where he died on 10 November 1938 / the catafalque in the Grand Ceremonial Hall of Dolmabahç / e Palace used between 16-19 November 1938 / the official funeral stage in Ankara designed by Bruno Taut and used between 20-21 November 1938 / the temporary tomb in The Ethnographic Museum, Ankara / and Atatü / rk&rsquo / s mausoleum, Anitkabir, in use since 10 November 1953. The dissertation firstly narrates the construction of a Turkish collective memory by means of architectural representation and politicization and secondly the physical and ideological maintenance of this memory by means of additions and subtractions to these spaces.
| Identifer | oai:union.ndltd.org:METU/oai:etd.lib.metu.edu.tr:http://etd.lib.metu.edu.tr/upload/12608490/index.pdf |
| Date | 01 June 2007 |
| Creators | Wilson, Christopher Samuel |
| Contributors | Sargin, Guven Arif |
| Publisher | METU |
| Source Sets | Middle East Technical Univ. |
| Language | English |
| Detected Language | English |
| Type | Ph.D. Thesis |
| Format | text/pdf |
| Rights | To liberate the content for public access |
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