This thesis explores how research is implicated in the constitution of post-war environments, and gives an account of being and becoming a researcher in post-war Bosnia. My main contention is that when peace and conflict researchers conduct research in post-war contexts, their presence, practices, and the consequential production of knowledge and representations, have political effects. I argue that the implications of this have not been fully explained, acknowledged, or problematised within Conflict Resolution, which tends to rely on research approaches and assumptions taken from ‘normal’ science. This thesis suggests how reflexivity and alternatives methodologies, including visual research might be used to represent the emotional, sensory, and often intangible elements of post-war realities. It enacts an engagement in the politics of research and uses reflexive writing and visual methods to draw attention to the importance of the relational aspects of research in postwar environments. Visual journeys are also used to argue that visual methods can provide a way of revisiting the epistemological and ontological assumptions about lived experiences and realities in post-war settings. The thesis is based upon one year of ethnographic fieldwork undertaken in Bosnia, and is also informed by eighteen months of volunteer work with a Bosnian Community Centre in Dewsbury, West Yorkshire.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:738152 |
| Date | January 2012 |
| Creators | Muir, Rachel |
| Publisher | University of Bradford |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://hdl.handle.net/10454/15000 |
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