Return to search

Konkurrenzbeziehungen: Allgemeine und konfessionelle Kunstvereine im Kunstfeld des 19. Jahrhunderts

The article compares secular and faith-based art societies in the
19th
century. Of special interest are the societies’ missions and purposes, as well
as their activities and organizational structures. The main thesis is based on the
work of German sociologist Georg Simmel and his conflict theory. I argue that the
competition of these societies had invigorating effects on the field of art and its
institutionalization in the course of the 19th
century.

Identiferoai:union.ndltd.org:DRESDEN/oai:qucosa:de:qucosa:93140
Date09 August 2024
CreatorsKarstein, Uta
Publisherde Gruyter
Source SetsHochschulschriftenserver (HSSS) der SLUB Dresden
LanguageGerman
Detected LanguageEnglish
Typeinfo:eu-repo/semantics/publishedVersion, doc-type:article, info:eu-repo/semantics/article, doc-type:Text
Rightsinfo:eu-repo/semantics/openAccess
Relation0340-4528, 1865-9128, 10.1515/iasl-2020-0019

Page generated in 0.0015 seconds