The article compares secular and faith-based art societies in the
19th
century. Of special interest are the societies’ missions and purposes, as well
as their activities and organizational structures. The main thesis is based on the
work of German sociologist Georg Simmel and his conflict theory. I argue that the
competition of these societies had invigorating effects on the field of art and its
institutionalization in the course of the 19th
century.
Identifer | oai:union.ndltd.org:DRESDEN/oai:qucosa:de:qucosa:93140 |
Date | 09 August 2024 |
Creators | Karstein, Uta |
Publisher | de Gruyter |
Source Sets | Hochschulschriftenserver (HSSS) der SLUB Dresden |
Language | German |
Detected Language | English |
Type | info:eu-repo/semantics/publishedVersion, doc-type:article, info:eu-repo/semantics/article, doc-type:Text |
Rights | info:eu-repo/semantics/openAccess |
Relation | 0340-4528, 1865-9128, 10.1515/iasl-2020-0019 |
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