The aim of this study is to examine the development of the travel selfie phenomenon in contemporary media and culture, and its impact on tourist experiences. By discussing key issues surrounding the phenomenon, particularly commodification and social media such as Instagram, this thesis investigates the effects of the travel selfie on tourist experiences, through a qualitative study approach.By adopting dispositive analysis as a methodology, this study explores how the travel selfie phenomenon evolves from a photographic practice into a modern tourist trend and a travel commodity that has revolutionized the tourist industry. The results suggest that the travel selfie has evolved from a spontaneous photographic technique into a valuable commodity that empowers modern tourists in different parts of the world. The shared consumption of the travel selfie amongst tourists subvert dominant criticism about the selfie culture by suggesting how the travel selfie inspires and unites tourists through an ability to express themselves individually. The conclusions emphasize how the travel selfie has expanded amongst tourists and continues to transform the contemporary cultures.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:mau-22766 |
| Date | January 2018 |
| Creators | Axelsson, Patrina |
| Publisher | Malmö universitet, Fakulteten för kultur och samhälle (KS), Malmö universitet/Kultur och samhälle |
| Source Sets | DiVA Archive at Upsalla University |
| Language | English |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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