This text looks at the political and cultural possibilities of détournement through the work of Guy Debord and my re-making of his film The Society of the Spectacle.
Identifer | oai:union.ndltd.org:uiowa.edu/oai:ir.uiowa.edu:etd-4757 |
Date | 01 May 2013 |
Creators | Schultz, Heath |
Contributors | Kanouse, Sarah E. |
Publisher | University of Iowa |
Source Sets | University of Iowa |
Language | English |
Detected Language | English |
Type | thesis |
Format | application/pdf |
Source | Theses and Dissertations |
Rights | Copyright 2013 Heath Schultz |
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